This story will also be included as part of an post-apocalyptic short story collection I’m putting together to release in December called Boys and Their Monsters. It will collect all the post-apoc stories I’ve written in the last year and a half into a single volume.
It will also mark my twelfth consecutive publication. My goal this year was to publish a new book or story every month and I’ve nearly done it. The finish line is in sight. Just in time to set bigger, badder, better goals for 2018.
I’m a science fiction writer first, so I’ve been contemplating the best way to get more SF stories onto this blog.
I always post snippets from my upcoming novels, of course, but I don’t produce full length books fast enough to keep those snippets running for long. (The next book in my Translocator series won’t be out until early next year, for example, and that’s good for about 3 snippets, or 3 days worth of blogs.) I have occasionallypostedshort storiesontheblog, but they have historically been few and far between.
If I add a weekly column like I’ve been contemplating, something like “Flash Fiction Friday,” where I publish short short stories (likely less than 500 words) once a week, that would be fantastic…but it would also add more to my workload. That time has to come from somewhere else.
So the trick to getting this right is going to be about timing and effort, and finding a balance between the two.
So here’s a couple things I’ve got to sort out, and what I’ve been noodling on while I consider the best way to make this shift without losing ground on the daily blogging streak (which has been super fun and gratifying!)
Have a plan. Right now I have problems, not plans, but I’ll get there. Whatever the plan is, it needs to be sustainable.
Gather the prompts/ideas ahead of time. Either come up with some process that generates infinite combinations of SF writing prompts, or buy books of sci-fi writing prompts, or just make and keep a massive list. Most likely it will be “all of the above.” Having the prompts takes the hard decision making out of the writing—simply open the prompts, pick one that sounds neat, and you’re off!
Build up a backlog. So that I can plan ahead for holidays/times when I’m just busy.
Start short. Start with flash fiction and short short stories. 50 word stories. 100 words. 250 words. No more than 500 words, TOPS. One day, I’ll have a back catalogue larger than you can believe, and I’ll be able to run full short stories (5-8k words) once a week on the blog…but that’s years away.
Think long term. I plan on reusing the stories of course, bundling them together into books when I have enough to publish. So I am already thinking about themes and genres and certain series characters that would fit together in a book. Being able to publish stories later in books/collections, makes me feel like the time I spend on stories for the blog is not wasted, but is contributing to another product that helps grow my author business. That’s important to me, too, because one day I plan on making a living writing fiction.
So that’s it, basically. Publishing more short fiction here is something I want to do, but it’s always presented a challenge of time and effort. For the past few years, the vast majority of my fiction-writing time has been dedicated to creating publishable stories and books. For the foreseeable future, the vast majority of my fiction-writing time STILL NEEDS to be dedicated to publishable stories and books.
But if I can eek out a little more from my time and regularly publish flash fiction here, especially stuff that can eventually be wrapped up into SF flash fiction collections, that will be good for me and good for finding new readers.
So it looks like the next step is gathering a ton of writing prompts, and coming up with a process to nail down SF flash fiction ideas quickly.
This is a brand new story that fleshes out the post-apocalyptic universe I created in The End of the World Is Better with Friends, and continued with Low Desert, High Mountain, Big Lizard. Like those two stories, this one introduces a new character in a dire situation, is packed with action and sprinkled with a dose of sarcastic wit.
You’ll have to read on to learn what makes this tale unique.
Here’s the cover and a blurb.
Make Like The Roaches And Survive
People used to say that after the apocalypse, only the roaches would survive.
Well, there were roaches all right. But that was just the beginning of my problems.
While the world was ending, I was trapped in a basement with only a feral cat to keep me company.
It took me weeks to dig my way out. And THEN it got strange…
I guess that’s what happens when you get buried alive during an alien invasion.
Make Like The Roaches And Survive is a story of scrappy survival in a post-apocalyptic Earth ravaged by mysterious alien invaders. A first contact story of a young man armed only with his wit—and the loyalty of one very fierce feline—in the face of mortal danger.
Did anyone else notice it was nearly the end of September? Good grief.
Despite the late date, I wanted to return to the subject of the July-August challenge briefly and review the results. I always get mad at myself when I don’t close the box on goal-setting exercises like this, so here we go.
My goal was to write four short stories in July. This got bumped by other project back to August, hence “July-August Challenge.”
I managed to write only 2 of the four stories—a 2k word story and a 8k word story…
Make Like The Roaches And Survive (8k) – Still in editing
Would I rather have gotten 4 complete stories out of the challenge? Of course. But sometimes you’ve got to be flexible. Life intervenes, like the vacation I took in June. Then finishing a cowriting project took priority through July and into early August. And after I finished two stories in August, I had to switch gears in order to get through the Translocator 3 outline on time.
The way I look at it, I got 2 new stories out of the challenge and a nice break between novel projects.
So that’s a win in my book.
Have you done any writing challenges this summer? I invite you to share your own experiences with writing challenges in the comments section.
My post-apocalyptic novelette Low Desert, High Mountain, Big Lizard is now available as an ebook!
Originally published in a monster anthology back in the Spring, this is the first time the story is available by itself—and it’s only $0.99. Here’s the blurb:
Low Desert, High Mountain, Big Lizard
A basilisk barks and chases boulders across the desert.
Has the thing lost its blinking mind?
As a scavenger, Das is no stranger to the beautiful and deadly alien creatures the invaders left behind. He’s always careful, like his father taught him, when he’s exploring the ruins. But this is unlike anything he’s ever seen.
Putting himself at risk is one thing…but imperil the lives of the people he loves? Unthinkable. When the mad basilisk goes on a rampage, it’s up to Das to prove himself worthy of his father’s memory, and find a way to put the brute out of its misery before it hurts anyone else.
Earth changed the day the invaders attacked, and even though they’re gone now, departed for reasons unknown, our world will never be the same.
All I want for my son, David, is a chance at a normal life. We survive by scraping together a meagre existence in the Rocky Mountains, but we’re isolated. No friends or family to speak of. That might be living, but it’s a great distance from normal.
So when a woman contacts me on the shortwave radio and tells me there’s a place where David might have a chance to live a normal life, how can I resist?
The Road Is Three is a new story in M.G. Herron’s After The Invasion universe, which chronicles an apocalyptic world through the eyes of the survivors as they adjust to new realities and outsmart the dangers Earth’s mysterious invaders left behind.
Note: This story will only be available here for a limited time! This is a rough draft. I apologize in advance if you find typos or other small errors. This story is for a collection I intend to publish soon, and will be professionally edited at that point.
The Road Is Three
“Dad,” David said, “Why is the road divided into three parts?”
I glanced down at my son, then up at the four-lane highway along which we had been walking for the last several days. David had never seen a highway before, and he gasped when we first came in sight of it.
He had barely been old enough to talk when the invaders came. David had spent the majority of his ten short years and most of his accessible memory in my grandfather’s cabin, where we eked out a living, foraging and hunting for food, surviving on the land, living day to day, season to season. The cabin was several days’ hike into the rockies and far removes from any paved roads.
“Three parts? What do you mean?”
His eyebrows knitted in confusion, like they always did when he was puzzling through something in his head. David was an introspective, quiet kid, with mousy brown hair and sharp green eyes that looked exactly like his mother’s.
If this were the world before, I think he would have loved video games, been a bookworm, gotten good grades in school…but it wasn’t. The hard life we’d been living in the mountains had forced him to grow up faster than I’d ever imagined, faster than I’d ever wanted him to. But what choice did we have? Whereas I was boisterous and selfish at his age, concerned only with taunting my sister, playing with my friends, and concerned only with things that led to my own pleasure, David thought long and hard before he spoke, had no friends except me, and never wasted food or water or anything that we might be able to use later. I was proud of how he’d turned out, but I don’t know that I can take full credit for his thoughtfulness. His was a thoughtfulness born out of necessity. This was a different kind of world, and a different world produced different kinds of people. His generation, the ones who survived the collapse of a global society and the return to a primitive existence, would know a much different life than the generations that came before.
I knew well enough not to interrupt him. We walked for another few seconds while David gathered his thoughts, gazing at the rusted-out corpses of vehicles scattered along the side of the road as he did so. Only a few of the cars, trucks, vans, and semi-trailers been pushed to the shoulder. Most had simply been abandoned in traffic, left where they were as people ran for their lives. The road was like a graveyard of vehicles, and apparently to David the road was three.
“Well, there’s this part,” he said, pointing to the cracked grey pavement along which we walked. A faded dotted line of white paint ran between us. “There’s that part,” he said, pointing to the eastbound lane on the opposite side. “And then there’s the grassy part in the middle.” He pointed to the depressed median between the lanes. “Three parts, right?”
I smiled. “I guess you’re right. Two lanes on either side and a median between them.”
“Median means middle.”
He nodded. “Okayyyy,” he said, drawing out the word as if he was talking to a simpleton. Me. The old man who knew how to navigate the strange ways of the world before. “That kind of makes sense. So what’s the median for? And why is it slanted down like that?”
I was used to him asking a lot of questions. In fact, I encouraged it from the time he could talk. I figured an inquisitive child who questioned everything he saw around him was more likely to survive this hard-scrabble new world. I’d taught him everything I knew about foraging, about hunting, about survival. Keeping your eyes peeled could go a long way. And I had not been wrong. David was as much responsible for our day to day life at the cabin as I was. He knew to boil water before you drank it, how to collect dry wood for the stove, how to build a game trap, how to clean and cook the rabbits we caught. But he didn’t know anything about the world before. I hoped he would fit in where we were going. He’d never met another child his age. I so wanted him to have a normal life. But nothing was normal now.
“It’s hard to imagine, but thousands of cars used to drive this road every day.”
“Thousands?” he said, his voice sharp and disbelieving.
“That’s right. Thousands. So the median is there to keep them from crossing between the east and westbound sides and causing traffic problems—cars are only allowed to change directions at an exit, like the one up there that the green sign is pointing to.”
“Couldn’t they just drive across it?”
“They could. And sometimes people did. But they weren’t supposed to. You could get in trouble for it.”
“Also, the median helps drain water away from the road. So the roads are safer to drive when it’s raining.”
He nodded slowly. Keeping things dry and directing the rain were things we had talked long about. We had barrels that caught water off the roof of the cabin, and I had spent many days showing him how it all worked, and how to maintain it.
“What keeps the roads safe in the rain if the roads are only one or two parts? Like the road we were walking on before we came to this road.”
“This one’s called a highway. The rural roads are usually only two lanes and a ditch on either side. So the ditches drain the water the same way the median does.”
“I see. What does rural mean?”
“Out in the country.”
“Rural.” He twisted his lips as he repeated it. “Rural is a funny word.”
I laughed. “It is.”
“So the ditch on either side drains the water on the two-lane, rural roads.”
He looked very serious as he contemplated these variegations in road and highway design and terminology. It must all seem very alien to him.
“The road is three,” he said. “But it is also one. The world before must have been a strange place, huh, Dad.”
“Did people walk on these roads before, like we’re doing?”
“No. Just the cars.”
“So where did people walk if they had to take a road trip?”
“They didn’t. They drove.”
“All the time?”
“Most of the time.”
He shook his head. “Do the cars work anymore?”
“Most of them don’t, no. No gas left to run them. No electricity to charge them up.”
We passed the green sign. David read it out loud. “Air Force Academy.”
“That’s where the lady told us to go, right?”
We took the exit. It circled around and dumped us out on a long road that led up to the academy grounds—another two lane road.
“I’m scared, Dad,” David said, taking two steps closer so he was right by my side. His head came up to my waist.
I put an arm around his shoulder. “It’s okay,” I said, though I felt far from certain that everything would be okay. I hoped none of the nervous fear that had bubbled up in my gut as we approached the end of this trip had bled through into my voice. I didn’t want David to think I was afraid.
But the fear was there all the same. What if the woman we spoke to on the shortwave radio, the so-called President of New Colorado, had been lying about how they had established a city here? What if it was a trap meant to lure us in and steal what supplies we had? These were desperate times, and despite contacting people on the radio before, we’d never given out our location or gone out of our way to find anyone. Sometimes, the guilt of my selfishness overwhelmed me. But then I’d look at David and be reminded about how he relied on me to be strong. We couldn’t afford the risk that other people brought…until I learned about New Colorado.
We’d hiked for days to get here. The dried meat and water we carried on our backs were enough to take us home if we were careful. If we were careful. If no one tricked us. I tightened the pack on my back.
A tree trunk several feet thick had been lain across the road like a kind of drop bar, presumably to keep unwanted vehicles from passing. Buildings loomed in the distance beyond—buildings that had withstood the invasion were an incredible sight, but I wasn’t about to let my guard down yet. We climbed over the logs and approached a closed and padlocked chainlink fence built across the road ahead of us.
There were people here all right. People who didn’t want other people to get in unless they were invited.
We had been invited. I stopped in front of the gate, and waited. Once we’d made contact, her instructions were simple. We waited here, just like the lady on the radio told us to.
As the minutes passed, my mind raced. I had no backup plan. If things went bad, I needed to make sure that David could get home. That he remembered what he was supposed to do to survive in a worst case scenario. I’d trained him for it. He was young, but he was thoughtful and strong and smart—nothing I could take credit for, but the inevitable result of fighting for your survival every day for your whole life.
We came here because I didn’t want that to be his whole existence. I wanted nothing more than a normal life for him. I wanted him to have friends his age. I wanted him to have an education. I wanted him to have opportunity. But coming here was a risk all the same. I scrambled to come up with something he’d remember—something that would help keep him safe if the worst happened.
“The road is three,” I said. “Remember that David, the road is three.”
“Isn’t that what I said?” His brow furrowed over his green eyes.
“The road is three. It’s where you were, where you are, and where you want to be. If anything happens to me, this road can take you home. Do you think you can get home on your own?” I turned and looked behind us, in the direction we had come.
He looked up at me with those beautiful green eyes that reminded me with a sudden, sharp pang in my gut of his mother. Clearly, I hadn’t managed to keep the fear out of my voice. But David he was a strong kid. I knew he could do this.
“I—I think so,” he said. He turned and looked long and hard down the road, then pointed—correctly—in the direction of our cabin in the mountains, several days’ hike and maybe forty miles distant. He met my gaze. I nodded. His hand dropped.
“The road is three,” he said. “It’s where you were, where you are, and where you want to be. But we want to be here, don’t we Dad?”
I turned back to the fence. Several people could be seen through the fence now, walking toward us. In the distance, I thought I heard the low sound of an engine rumble to life. Hope flared in my chest, impossible hope.
“I hope so,” I said. “But that could change, and I need to make sure you’re ready.”
David took a deep breath and let it out with a heavy sigh. “I’m ready.”
Together we waited to be welcomed—or turned away—from New Colorado.
(As a reminder, this is an answer to a question I received in my first blog-style Ask Me Anything.)
Steve Beaulieu asks, “Where do you get your story ideas from? How about Wendigo?”
Writers get this one a lot, and I know Steve knows this because he’s a writer, too. But it’s an interesting one because everyone’s answer is different.
And yet everyone’s answer is also kind of the same.
I get my ideas from everywhere—the way I was raised, the jobs I’ve had, the books I read, the movies I’ve seen.
Sometimes ideas come to me in the shower. Sometimes they come in a dream.
The important thing with ideas is to capture them. When they come to you, write them down in a notebook or on a phone.
You won’t use them all, but the more you capture, the more will come.
Ideas are nothing to be afraid of. They’re there, ripe for the taking. I’ve heard from some writers that they’re afraid that the great idea they had, their one BIG idea, will be stolen or will fail. That’s fear talking. In some cases it’s fear taking over.
If you ask me, ideas are cheap. They’re everywhere. I have more ideas than I know what to do with. I want to write a galactic empire series, more Translocator books, more post-apocalyptic stories. I want to write hundreds of short stories about all sorts of things.
As for Wendigo…
My short story (or is it a novelette at 12,000 words?), Wendigo, is about an archaeology student and his professor who go in search of hidden petroglyphs and discover latent horrors.
It’s based on the Navajo legend of the skinwalker. I wrote it for a short story class I took. It was also my first attempt at writing an unlikeable character. Blake, the main character, is kind of a prick. The question is, does he deserve what he gets?
Whew, a lot of good stuff has happened since I last gave you a writing update.
First of all, “End of the World” has done all right for it being the first piece of fiction I’ve published in several months. I had zero expectations, so I can’t be disappointed. I’m simply happy it was well-received by those who have read it, and continues to sell a bit.
But my focus has been on what’s next. Edits for my next fantasy story, “The Door Below the Comic Store” came back, and I’ve already gone through those and produced the ebook. I need to finish the paperback, and then that should be available about January 10th (my target).
My newsletter finds out about everything first, so sign up if you want to be notified (and get a free review copy!) Here’s the cover for “The Door Below the Comic Store”.
Edits for “Wendigo” also came back. This is a paranormal/horror story, a bit of a departure from my usual stuff, but in a good way if you like dark and twisted stuff. It’s inspired by the Wendigo legend of the Navajo tribe, and is about twice the length of most of my short stories: 12,000 words, either a long short story or a short novella depending how you want to look at it.
Funny story: I totally botched the ending of “Wendigo” the first time through. I sat on it, knowing something was wrong, for a couple months before I finally gave up and sent it to my editor. I knew, for certain, that I screwed something up, but sometimes you need an objective opinion. Once I realized it was the ending that was the problem (thanks to my editor and the help of a writer friend), it only took a few hours of focused work to fix it. “Wendigo” also has a creepy cover that I’ve already picked out, and will share soon. That one is slated for release in February.
So now, as you can see, I’m ahead of the curve as far as scheduling goes. That’s never happened before, but damn it feels good. Things are going to be different in 2017.
And that’s not all!
I also wrote 3k words of a new science fiction story that I’m calling, “A Body of Work.” I doubt that will be the final title, as I almost always change titles several times before a story is done. This is a hard science fiction story set in the near future, after Earth has colonized Mars and built a dozen habitable space stations in near-Earth orbit. Also, aliens. Fun stuff!
And finally, I made a smidge of progress on Tales of the Republic. Par for the course there. Now that I’m ahead of schedule, I’m going to make a big effort to change that and get through it sooner. Won’t speak to launch dates yet (I’ve made that mistake before…sorry).
2017 is definitely going to be different.
Which story are you most excited about? Leave a comment to let me know.
Last day to enter 12 Days of Books giveaway
Oh yes! And today is the lat day to enter the 12 Days of Books Giveaways. Click that link and leave your email to enter 12 signed novels.
Tales of the Republic … Status: Revising … Second draft, 30% complete (24,088 words revised / 80,000 estimated total words)
“The Door Below the Comic Store” … 6,000 words … Status: Post-production
“Wendigo” … 12,000 words … Status: Queued for post-production
“A Body of Work” … Status: Writing (2,694 words written / 6,000 estimated total words)
“Centurion” … 3,000 words … Status: Out for submission
“Earworm” … 3,000 words … Status: Out for submission
Sid is all alone at the end of the world, with only his robot and his garden to keep him company. He tends his plot, and tries to keep his distance from Slimeball, the lake monster the aliens left behind. But a hot spell and the need for water finally forces him to the lake’s perilous shores. His clever plan to distract Slimeball goes sideways, and turns into a discovery that forever alters the way he lives his post-apocalyptic life.
This story was written for a workshop I took back in August. It’s now available in both Kindle and paperback formats. I hope you enjoy this post-apocalyptic tale of survival and friendship. It’s set in one of my favorite cities.
Tons of fun making these little paperbacks, too. They’re only $5, with free shipping for Amazon Prime members. Never done a paperback on a short story before, but they make great little gifts, and bring me joy to hold in my hands.
I’ve got 2 good news updates on the writing front. I made over 2,400 words of progress on the revisions of Tales since my last update. It would have been more, but I also publishing this book, completely revamped the website, and wrote a new author bio (something I’d been putting off forever), so not a bad week.
Next time I do one of these updates, I’ll remove the newly published story from the works-in-progress list below.
Tales of the Republic, second draft … 28% complete 22,475 words revised / 80,000 estimated total words
“The End of the World Is Better with Friends” … 6k words … Status: Published!
“Centurion” … 3k words … Status: Out for submission (trade pub)
“Earworm” … 3k words … Status: Out for submission (trade pub)
“The Door Below the Comic Store” … 6k words … Status: Out for edits (indie)
“Wendigo” … 10k words … Status: Rough draft complete (tbd)